{"id":95530,"date":"2026-08-24T09:59:27","date_gmt":"2026-08-24T08:59:27","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=95530"},"modified":"2026-08-28T12:21:50","modified_gmt":"2026-08-28T11:21:50","slug":"25-lat-iowy-i-toxicity-co-laczy-te-plyty","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/25-lat-iowy-i-toxicity-co-laczy-te-plyty\/","title":{"rendered":"25 lat “Iowy” i “Toxicity”. Co \u0142\u0105czy te p\u0142yty?"},"content":{"rendered":"\n
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Nu metal na szczycie<\/b><\/h2>\n

By\u0142y to jedne z najbardziej wyczekiwanych premier roku w metalowej muzyce. Koniunktura na ci\u0119\u017ckie granie by\u0142a bardzo silna, a MTV ugina\u0142o si\u0119 od kolejnych nu-metalowych klon\u00f3w Korna<\/strong><\/a> i Limp Bizkit<\/a>.<\/strong> W 2001 roku nu metal przesta\u0142 by\u0107 undergroundow\u0105 ciekawostk\u0105 z potencja\u0142em na mainstreamowy sukces, a sta\u0142 si\u0119 wa\u017cnym zjawiskiem popkulturowym.\u00a0<\/span><\/p>\n

Wydane rok wcze\u015bniej “Chocolate Starfish and the Hot Dog Flavored Water” Limp Bizkit <\/strong>czy “Hybrid Theory” Linkin Park<\/strong>, ale r\u00f3wnie\u017c szereg innych album\u00f3w sprawi\u0142y, \u017ce zespo\u0142y, kt\u00f3re wcze\u015bniej funkcjonowa\u0142y w g\u0142\u0119bokim p\u00f3\u0142\u015bwiatku, nagle zacz\u0119\u0142y dyktowa\u0107 warunki w mainstreamie. W takich okoliczno\u015bciach do nagra\u0144 swoich drugich d\u0142ugograj\u0105cych album\u00f3w przyst\u0119powa\u0142y Slipknot<\/strong><\/a> i System of a Down<\/a>.<\/strong><\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Przebi\u0107 debiut<\/h2>\n

Dziewi\u0105tka z Des Moines mia\u0142a w\u00f3wczas wiele do udowodnienia. Ich pierwszy album szybko wprowadzi\u0142 ich do pierwszej ligi metalowych debiutant\u00f3w, a image z przypisanymi numerami, maskami i kombinezonami przykuwa\u0142 uwag\u0119 nawet jak na nu-metalowe standardy. Do tego dochodzi\u0142y wyst\u0119py na \u017cywo, b\u0119d\u0105ce esencj\u0105 nihilistycznej agresji i kontrolowanego chaosu. Gdy dziewi\u0119ciu zamaskowanych go\u015bci wychodzi\u0142o na scen\u0119, mo\u017cna by\u0142o odnie\u015b\u0107 wra\u017cenie, \u017ce publiczno\u015b\u0107 ma przed sob\u0105 gang odszczepie\u0144c\u00f3w, kt\u00f3ry by\u0107 mo\u017ce nie jest niebezpieczny, ale z pewno\u015bci\u0105 nieobliczalny. Mimo to scena roi\u0142a si\u0119 w\u00f3wczas od mocnych debiutant\u00f3w, a historia nu metalu obfituje w zespo\u0142y, kt\u00f3re nie zdo\u0142a\u0142y przebi\u0107 sukcesu pierwszej p\u0142yty.<\/p>\n

System of a Down<\/strong> z drugiej strony nie wdar\u0142 si\u0119 na scen\u0119 a\u017c takim szturmem jak Slipknot<\/strong>. Pierwszy kr\u0105\u017cek uzyska\u0142 status z\u0142otej p\u0142yty dopiero po dw\u00f3ch latach intensywnego koncertowania. Muzycy, wywodz\u0105cy si\u0119 z ormia\u0144skiej mniejszo\u015bci Los Angeles, wnosili do sceny powiew awangardy i dziwno\u015bci, kt\u00f3ry \u0142\u0105czy\u0142 si\u0119 z ich intensywnym graniem. Tak jak teksty Slipknota<\/strong> skupia\u0142y si\u0119 g\u0142\u00f3wnie na wewn\u0119trznych emocjach, tak System<\/strong> cz\u0119sto porusza\u0142 tematy spo\u0142eczne i polityczne, ubieraj\u0105c je w absurdalne metafory.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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