{"id":88730,"date":"2026-06-05T09:50:42","date_gmt":"2026-06-05T08:50:42","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=88730"},"modified":"2026-06-05T09:50:46","modified_gmt":"2026-06-05T08:50:46","slug":"high-five-piec-najciekawszych-wydarzen-w-polskim-rapie-w-minionym-miesiacu-maj-2026","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/high-five-piec-najciekawszych-wydarzen-w-polskim-rapie-w-minionym-miesiacu-maj-2026\/","title":{"rendered":"High Five: pi\u0119\u0107 najciekawszych wydarze\u0144 w polskim rapie w minionym miesi\u0105cu [maj 2026]"},"content":{"rendered":"\n
\n
\n
\n
\n

Miesi\u0105c premier<\/h2>\n

Pod k\u0105tem istotnych wydarze\u0144 w polskim rapie niezwi\u0105zanych z premierami kolejnych p\u0142yt, kwiecie\u0144 dostarczy\u0142 nam mn\u00f3stwo emocji i powod\u00f3w do dyskusji. Niepor\u00f3wnywalnie spokojniejszy by\u0142 w tej kwestii maj (przy ca\u0142ym szacunku dla Fryderyk\u00f3w), ten jednak zupe\u0142nie odwrotnie \u2013 “dowi\u00f3z\u0142” w kwestii premier. Zar\u00f3wno dla mainstreamu, jak i underu. By\u0142y powroty legend, wyczekiwane premiery i jak to zwykle bywa, nieco ukryta pere\u0142ka. Zapraszam wi\u0119c na kolejne wydanie High Five<\/strong> i zach\u0119cam, zar\u00f3wno do zerkni\u0119cia na poprzednie ods\u0142ony, jak i do \u015bledzenia serii, kt\u00f3ra je\u015bli tylko chcecie by\u0107 na bie\u017c\u0105co z polskim rapem, jest dla was punktem obowi\u0105zkowym.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n

Alcomindz domykaj\u0105 trylogi\u0119<\/h2>\n

Co do rzeczywistego ojcostwa trapu w Polsce mo\u017cna prowadzi\u0107 dywagacje i gdybym okre\u015bli\u0142 tym mianem Alcomindz<\/strong>, bez uwzgl\u0119dnienia tego disclaimera prawdopodobnie wiele os\u00f3b zacz\u0119\u0142oby kr\u0119ci\u0107 nosem. Umieszczenie ekipy z Torunia po\u015br\u00f3d pionier\u00f3w tej muzyki w Polsce nie budzi jednak \u017cadnych w\u0105tpliwo\u015bci. Charakteryzuj\u0105cy si\u0119 od samego pocz\u0105tku du\u017cym luzem, poczuciem humoru, a przede wszystkim podstaw le\u017c\u0105cych u muzyki trap, a nie jedynie zapo\u017cyczeniem jej estetyki, do dzi\u015b dla wielu os\u00f3b pozostaje niedo\u015bcignionym wzorem. Szczeg\u00f3lnie w historii zapisa\u0142 si\u0119 mixtape “W\u00f3dka, Kurwy & Sianokosy”<\/strong>. To tam jedne ze swoich pierwszych krok\u00f3w stawia\u0142 zreszt\u0105 Bedoes 2115<\/strong> w utworze “Suchej mje<\/strong> dziwko”<\/strong>, a niema\u0142ym hitem sta\u0142 si\u0119 “Stif\u0142onda (Nah! Nah!)”<\/strong> odciskaj\u0105c pi\u0119tno na kolejne pokolenie traper\u00f3w w Polsce. W mi\u0119dzyczasie ukaza\u0142a si\u0119 druga cz\u0119\u015b\u0107 mixtape’u, a 23 maja, czterna\u015bcie lat od premiery “jedynki” Alcomindz<\/strong> domkn\u0119li trylogi\u0119, trzymaj\u0105c si\u0119 tak samo jak ponad dekad\u0119 temu ziomalskiego, celowo cha\u0142upniczego stylu. Co jednak najwa\u017cniejsze nie opu\u015bcili przy tym poziomu, za co po tylu latach nale\u017c\u0105 si\u0119 ogromne gratulacje.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n