{"id":75477,"date":"2026-01-05T10:11:04","date_gmt":"2026-01-05T09:11:04","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=75477"},"modified":"2026-01-09T12:00:48","modified_gmt":"2026-01-09T11:00:48","slug":"duchowy-nastepca-wiedzmina-nadchodzi-co-szykuja-rebel-wolves","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/duchowy-nastepca-wiedzmina-nadchodzi-co-szykuja-rebel-wolves\/","title":{"rendered":"Duchowy nast\u0119pca Wied\u017amina nadchodzi. Co szykuj\u0105 Rebel Wolves?"},"content":{"rendered":"\n
\n
\n
\n
\n

“Assassin\u2019s Creed”, “God of War”, “Grand Theft Auto”, “Fortnite”. S\u0105 takie marki, kt\u00f3re znaj\u0105 nawet najwi\u0119ksi laicy. Takie produkcje nie tylko <\/span>zmieniaj\u0105 zasady gry<\/b>, ale odciskaj\u0105 pi\u0119tno na ca\u0142ym rynku rozrywkowym. To jednak produkcje zagraniczne, a\u00a0przecie\u017c polscy gracze nie g\u0119si i swoje gry te\u017c maj\u0105. Zar\u00f3wno w gamingowym mainstreamie, jak i na scenie indie. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n

“Wied\u017amin” CDPR<\/span><\/a> sam ci\u015bnie si\u0119 na usta. Przygody <\/span>Geralta z Rivii<\/b> w interpretacji Red\u00f3w to majstersztyk. Czerpi\u0105c z prozy Andrzeja Sapkowskiego, deweloperzy zachowali najwa\u017cniejsze elementy \u015bwiata przedstawionego, znajduj\u0105c przy tym sporo miejsca na eksperymenty, kt\u00f3re pokocha\u0142y <\/span>dziesi\u0105tki milion\u00f3w os\u00f3b<\/b> na ca\u0142ym \u015bwiecie.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\"\"<\/div>\n
Fot. Materia\u0142y prasowe<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Ale przecie\u017c nadwi\u015bla\u0144ski gamedev to nie tylko <\/span>Bia\u0142y Wilk szukaj\u0105cy Ciri<\/b>. Fanatycy wszelkich zombie zagrywaj\u0105 si\u0119 w “Dying Light” Techlandu, studio Bloober Team ma na koncie wiele horrorowych produkcji jak “The Medium” czy “Layers of Fear”, a\u00a0ukoronowaniem jest remake “Silent Hill 2” i tegoroczny “Cronos: The New Dawn”. Fool\u2019s Theory ukazali XX w. Warszaw\u0119 w trzymaj\u0105cym w napi\u0119ciu, turowym RPG “The Thaumaturge”. Z kolei studio Flying Wild Hog zachwyci\u0142o <\/span>klimatycznym “Trek to Yomi”, inspirowanym filmami Akiry Kurosawy<\/span><\/a>. Niezale\u017cnie od upodoba\u0144, polscy tw\u00f3rcy gier maj\u0105 wiele do zaoferowania. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n

Przeczytaj te\u017c:<\/p>\n <\/div>\n

\n \n
\n
\n
\n <\/a>\n
\"\"<\/div>\n <\/div>\n
\n
\n
\n <\/span>\n 11.02.2025<\/span>\n <\/div>\n
\n
\n \n\n

Gry<\/p>\n<\/a>\n <\/div>\n

\n \n\n

Gry komputerowe<\/p>\n<\/a>\n <\/div>\n <\/div>\n <\/div>\n

\n \n 25-lecie<\/span>\n “The<\/span>\n Sims”.<\/span>\n Jak<\/span>\n wirtualny<\/span>\n domek<\/span>\n dla<\/span>\n lalek<\/span>\n pomie\u015bci\u0142<\/span>\n p\u00f3\u0142<\/span>\n miliarda<\/span>\n os\u00f3b?<\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Nowa saga wkr\u00f3tce si\u0119 rozpocznie<\/b><\/h2>\n

Wci\u0105\u017c powstaj\u0105 kolejne studia, oferuj\u0105ce ca\u0142kiem nowe \u015bwiaty do poznania. Jednym z nich jest <\/span>Rebel Wolves<\/b>, niewielka (jak na standardy gamingowe) ekipa, prowadzona przez <\/span>Konrada Tomaszkiewicza, re\u017cysera “Dzikiego Gonu” i szefa produkcji “Cyberpunka 2077”<\/b>. W\u015br\u00f3d deweloper\u00f3w znale\u017ali si\u0119 tak\u017ce jego brat Mateusz (re\u017cyser misji pobocznych w “Cyberpunku” i g\u0142\u00f3wny projektant quest\u00f3w w\u00a0“Wied\u017aminie 3”), re\u017cyser projektu “Wied\u017amina” z 2007 Daniel Sadowski i re\u017cyser artystyczny “Dzikiego Gonu” \u2013 Bart\u0142omiej Gawe\u0142.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n

Polecamy na eBilet.pl<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Voucher kinowy Helios<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Boeing Boeing – Teatr Capitol<\/p>\n <\/div>\n

<\/div>\n
Bielany Wroc\u0142awskie, Gda\u0144sk, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

M\u0119skie Granie 2026<\/p>\n <\/div>\n

<\/div>\n
Gda\u0144sk, Krak\u00f3w, Pozna\u0144 i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Silesia Memoria\u0142 Kamili Skolimowskiej<\/p>\n <\/div>\n

<\/div>\n
Chorz\u00f3w<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Sunset Square 2026<\/p>\n <\/div>\n

<\/div>\n
Gdynia<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Red Bull Drift Masters, Grand Finale 2026, Poland<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Rozta\u0144czony PGE Narodowy 2026<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Speedland Festival 2026<\/p>\n <\/div>\n

<\/div>\n
Krosno<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Beksi\u0144ski.Live<\/p>\n <\/div>\n

<\/div>\n
Krak\u00f3w<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Zwiedzanie ZOO Warszawa<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Zwiedzanie ZOO Wroc\u0142aw<\/p>\n <\/div>\n

<\/div>\n
Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

2026 BOLL FIM Speedway World Cup – Warsaw<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Open’er Festival 2026<\/p>\n <\/div>\n

<\/div>\n
Gdynia<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Kayah & Bregovi\u0107 – Huczne Poprawiny 2026<\/p>\n <\/div>\n

<\/div>\n
Kielce, Koszalin, Opole i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Rockowizna Festiwal 2026<\/p>\n <\/div>\n

<\/div>\n
Gda\u0144sk, Krak\u00f3w, Pozna\u0144<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\n\n\n
\n
\n
\n
\n

Weterani powszechnie uwielbianego CDPR postawili sobie za cel bardzo ambitny projekt. “The Blood of Dawnwalker” to gra osadzona w <\/span>Karpatach w XIV wieku<\/b>, w\u00a0nieistniej\u0105cej dolinie Sangora. Historia opowie o Coenie, p\u00f3\u0142wampirze, kt\u00f3ry musi zdecydowa\u0107 mi\u0119dzy zemst\u0105 a ratowaniem rodziny. M\u0119\u017cczyzna ma 30 dni i 30 nocy, aby tego dokona\u0107. W tym czasie stawi czo\u0142o krwio\u017cerczej grupie wampir\u00f3w dowodzonych przez <\/span>Brencisa<\/b>. Szlachetnie urodzonego krwiopijc\u0119, pami\u0119taj\u0105cego czasy <\/span>Cesarstwa Rzymskiego<\/b>. Tw\u00f3rcy przekonuj\u0105, \u017ce nasze decyzje b\u0119d\u0105 mia\u0142y kluczowe znaczenie w tym, jakie zako\u0144czenie ujrzymy. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\"\"<\/div>\n
Fot. Materia\u0142y prasowe<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Chocia\u017c gr\u0119 osadzono w fikcyjnym \u015bwiecie, mog\u0105 pojawi\u0107 si\u0119 odwo\u0142ania do rzeczywisto\u015bci, jak np. <\/span>imi\u0119 papie\u017ca<\/b> stoj\u0105cego w\u00f3wczas na czele Ko\u015bcio\u0142a. Wyb\u00f3r Karpat pozwoli\u0142 tw\u00f3rcom na stworzenia kulturowego tygla, w kt\u00f3rym mieszaj\u0105 si\u0119 wp\u0142ywu czeskie, w\u0119gierskie, rumu\u0144skie, a nawet polskie.\u00a0<\/span><\/p>\n

Jednym z g\u0142\u00f3wnych element\u00f3w rozgrywki b\u0119dzie <\/span>system dnia i nocy<\/b>. Wykonanie misji b\u0119dzie wi\u0105za\u0142o si\u0119 z up\u0142ywem okre\u015blonej ilo\u015bci czasu, a od pory dnia zale\u017cy, jak zadanie b\u0119dzie wygl\u0105da\u0142o. W przeciwie\u0144stwie do “Wied\u017amina”, w grze nie znajdziemy wielu nawi\u0105za\u0144 do popkultury, a <\/span>ton historii b\u0119dzie du\u017co powa\u017cniejszy<\/b>.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n

Podczas <\/span>rozmowy Macieja Pawlikowskiego<\/span><\/a> z tw\u00f3rcami, jeden z nich zaznaczy\u0142: <\/span>Chcieli\u015bmy, aby humor wyp\u0142ywa\u0142 z sytuacji i postaci, kt\u00f3re ten humor tworz\u0105. Mam nadziej\u0119, \u017ce ludzie b\u0119d\u0105 si\u0119 \u015bmiali. (\u2026) Ale czy b\u0119d\u0105 bon moty, kt\u00f3re ludzie zapami\u0119taj\u0105, a potem zacytuj\u0105? Mam nadziej\u0119, \u017ce tak (\u2026), ale my\u015blimy, \u017ce b\u0119d\u0105 to cytaty w\u0142a\u015bciwe dla danej postaci, osadzone w historii ni\u017c nawi\u0105zania popkulturowe<\/span><\/i>.\u00a0<\/span><\/p>\n

Wida\u0107 to ju\u017c po pierwszych materia\u0142ach. Du\u017co krwawszych i ponurych od flagowego tytu\u0142u Red\u00f3w. Palet\u0105 barw “The Blood of Dawnwalker” du\u017co bli\u017cej do “Gothica”, a\u00a0\u015bwiat wydaje si\u0119 du\u017co mniej ba\u015bniowy ni\u017c \u2013 i tak ju\u017c przesi\u0105kni\u0119tych z\u0142em i\u00a0cierpieniem \u2013 kr\u00f3lestw P\u00f3\u0142nocy.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n