{"id":70178,"date":"2025-10-27T10:34:47","date_gmt":"2025-10-27T09:34:47","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=70178"},"modified":"2025-12-04T08:12:11","modified_gmt":"2025-12-04T07:12:11","slug":"wrocilem-do-albumu-dge-20-lat-po-premierze-bylo-warto","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/wrocilem-do-albumu-dge-20-lat-po-premierze-bylo-warto\/","title":{"rendered":"Wr\u00f3ci\u0142em do albumu DGE 20 lat po premierze. By\u0142o warto?"},"content":{"rendered":"\n
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2005 to bardzo ciekawy czas w polskim rapie. <\/span>Ma\u0142olat z Ajronem<\/b> ruszyli “W\u00a0pogo\u0144 za lepszej jako\u015bci \u017cyciem”, <\/span>Ten Typ Mes<\/b> podzieli\u0142 si\u0119 “Zapiskami Typa”, <\/span>O.S.T.R. z\u00a0Emade <\/b>wydali “Szum rodzi ha\u0142as” nak\u0142adem Asfaltu. W tym samym roku debiutowa\u0142a <\/span>WdoWA, Smarki Smark, Kixnare i DJ Pysk<\/b> stworzyli podziemny klasyk, jakim jest “Najebawszy EP”, a <\/span>Slums Attack<\/b> na dwup\u0142ytowym wydawnictwie przekonywali, \u017ce “Najlepsz\u0105 obron\u0105 jest atak”. Innymi s\u0142owy, \u00f3wczesna scena by\u0142a niby <\/span>stylistyczny kocio\u0142<\/b>, w kt\u00f3rym ka\u017cdy m\u00f3g\u0142 wy\u0142owi\u0107 interesuj\u0105ce go smaki.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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To r\u00f3wnie\u017c prze\u0142omowy czas dla bohatera tego tekstu. Donguralesko w 2005 roku to nieco inny raper ni\u017c cz\u0142onek <\/span>Killaz Group<\/b> czy nawet debiutant z “Opowie\u015bci z\u00a0betonowego lasu”. Styl DGE zel\u017ca\u0142, sta\u0142 si\u0119 bardziej jaskrawy, podobnie jak wizerunek. W bia\u0142ych soczewkach i kolorowych outfitach poznaniak przypomina\u0142 bardziej <\/span>gwiazd\u0119 z ameryka\u0144skiego teledysku <\/b>ni\u017c ziomka z blokowiska, znaj\u0105cego jedynie odcienie od\u0142a\u017c\u0105cej elewacji. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Fot. PAP\/Jakub Kaczmarczyk<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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Po ponad 20 latach od premiery (album ukaza\u0142 si\u0119 w lutym), Gural zapowiedzia\u0142 kolejn\u0105 ju\u017c reedycj\u0119 kr\u0105\u017cka. Tym razem skoncentrowanej przede wszystkim wok\u00f3\u0142 limitowanych winyli, ale jak przysta\u0142o na jubileusz, powsta\u0142 tak\u017ce okoliczno\u015bciowy merch. To wi\u0119c dobry moment, \u017ceby przekona\u0107 si\u0119, jak sprawdza si\u0119 formu\u0142a Dziadziora po takim czasie.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Polecamy na eBilet.pl<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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Orange Warsaw Festival 2027<\/p>\n <\/div>\n

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Wielki Gatsby<\/p>\n <\/div>\n

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Peja x Dj Decks x Slums Attack \u2013 25 lat Na Legalu<\/p>\n <\/div>\n

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Bia\u0142ystok, Gda\u0144sk, Krak\u00f3w i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Another Pink Floyd \u201cThe Wall\u201d + najwi\u0119ksze przeboje Pink Floyd na \u017cywo<\/p>\n <\/div>\n

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Bia\u0142ystok, Gorz\u00f3w Wielkopolski<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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The Laws playing Sarcofago<\/p>\n <\/div>\n

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RCZ Rammstein Tribute Symphonic Show<\/p>\n <\/div>\n

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Gdynia, Warszawa, Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Nowe Otwarcie Starego Klasztoru – Hurt, Let’s Rock!, \u015apiewnik Polskiego Rocka<\/p>\n <\/div>\n

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Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Jezioro \u0142ab\u0119dzie – United Ballet London<\/p>\n <\/div>\n

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Cz\u0119stochowa, Krak\u00f3w, Pozna\u0144 i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Abba i Inni Symfonicznie II<\/p>\n <\/div>\n

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Ciechan\u00f3w, \u0141\u00f3d\u017a, Rzesz\u00f3w i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Nemzzz<\/p>\n <\/div>\n

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Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Dziwna Wiosna<\/p>\n <\/div>\n

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Olsztyn<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Wielka Gala Operowa: Krzysztof Knapczyk, Carmen, La Traviata, Turandot<\/p>\n <\/div>\n

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Bia\u0142ystok, Gda\u0144sk, Gorz\u00f3w Wielkopolski i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Formula Student Poland<\/p>\n <\/div>\n

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Eagle-Eye Cherry<\/p>\n <\/div>\n

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Gda\u0144sk, Pozna\u0144, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Zorza, Garota, Dargor<\/p>\n <\/div>\n

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Zachodni wiatr zawia\u0142<\/b><\/h2>\n

Mimo ca\u0142ej ameryka\u0144sko-hitowej otoczki, drugie solo Donguralesko jest na wskro\u015b lokalnym projektem. W “Ciszy” raper na chwil\u0119 przybiera bardziej powa\u017cn\u0105 poz\u0119, a\u00a0zachodni blichtr ust\u0119puje <\/span>\u015brodkowo-wschodniej szarudze<\/b>. Gospodarza na albumie wspieraj\u0105 raperzy z jego najbli\u017cszych otoczenia (pr\u00f3cz Sido z Niemiec): Shellerini, Rafi w remixie tytu\u0142owego singla, Tede \u2013 \u00f3wczesny wydawca DGE. Z kolei w\u015br\u00f3d uznanych producent\u00f3w jak duet White House, DJ Haem, Volt czy Kut-O r\u00f3wnie\u017c nie zabrak\u0142o poznaniak\u00f3w \u2013 Miksera i Larwy. Mimo tak przekrojowego grona, drugi album DGE brzmi sp\u00f3jnie, nie odstaj\u0105c od trend\u00f3w tamtych czas\u00f3w przy zachowaniu pierwiastka oryginalno\u015bci. Tych, kt\u00f3rzy obawiali si\u0119 <\/span>produktu z importu<\/b>, mi\u0142o zaskoczono lokalnym wyrobem.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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