{"id":67142,"date":"2025-09-19T13:59:08","date_gmt":"2025-09-19T12:59:08","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=67142"},"modified":"2025-11-26T12:25:17","modified_gmt":"2025-11-26T11:25:17","slug":"mniej-znaczy-wiecej-efekciarstwo-w-rapie-stalo-sie-meczace","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/mniej-znaczy-wiecej-efekciarstwo-w-rapie-stalo-sie-meczace\/","title":{"rendered":"Mniej znaczy wi\u0119cej. Efekciarstwo w rapie sta\u0142o si\u0119 m\u0119cz\u0105ce"},"content":{"rendered":"\n
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Na pocz\u0105tku wrze\u015bnia Zwi\u0105zek Producent\u00f3w Audio Video <\/span>podsumowa\u0142 kondycj\u0119 polskiego rynku muzycznego<\/span><\/a> w pierwszym p\u00f3\u0142roczu 2025. Jak pokazuje raport, <\/span>mamy powody do dumy.<\/b> Rynek od 11 lat wci\u0105\u017c ro\u015bnie, a najnowsze dane uplasowa\u0142y nasz kraj na 16. miejscu w \u015bwiatowym rankingu, osi\u0105gaj\u0105c warto\u015b\u0107 455 mln z\u0142. Nikogo nie powinno dziwi\u0107, \u017ce za <\/span>zdecydowan\u0105 wi\u0119kszo\u015b\u0107 rynku<\/b> (85%) odpowiadaj\u0105 streaming i no\u015bniki cyfrowe. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Z podsumowania wynika tak\u017ce, \u017ce popularno\u015b\u0107 polskich artyst\u00f3w stale ro\u015bnie. W\u015br\u00f3d tych najcz\u0119\u015bciej wybieranych przez Polak\u00f3w znale\u017ali si\u0119 m.in.: <\/span>Sobel<\/a>, Taco Hemingway<\/a>, Pezet<\/a>, Otsochodzi<\/a>, Opa\u0142<\/a> z Gibbsem<\/a>, Kaliber 44 <\/a><\/b>(przy sprzeda\u017cy fizycznej i winylach), <\/span>Dawid Podsiad\u0142o<\/a>, Ka\u015bka Sochacka <\/a><\/b>i <\/span>sanah<\/b><\/a>. Dominacj\u0119 najlepiej pokazuj\u0105 Oficjalne Listy Sprzeda\u017cy ZPAV z podzia\u0142em na kategorie. W\u00a0pierwszych 10-tkach <\/span>jedynie w Oficjalnej Li\u015bcie Airplay (OLiA)<\/b>, dotycz\u0105cej playlist radiowych, cz\u0119\u015bciej wyst\u0119powa\u0142 repertuar zagraniczny.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Przeczytaj te\u017c<\/p>\n <\/div>\n

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\"\"<\/div>\n <\/div>\n
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\n <\/span>\n 09.01.2025<\/span>\n <\/div>\n
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Rap<\/p>\n<\/a>\n <\/div>\n

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Hip Hop<\/p>\n<\/a>\n <\/div>\n <\/div>\n <\/div>\n

\n \n A<\/span>\n pami\u0119tasz<\/span>\n jak?<\/span>\n Te<\/span>\n rapowe<\/span>\n albumy<\/span>\n maj\u0105<\/span>\n ju\u017c<\/span>\n 10<\/span>\n lat<\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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Mainstream absolutny<\/b><\/h2>\n

Jak wida\u0107, <\/span>rap radzi sobie ca\u0142kiem nie\u017ale<\/b>. \u015awiadcz\u0105 o tym zar\u00f3wno liczby podane przez ZPAV i wyr\u00f3\u017cnienia sprzeda\u017cowe, kt\u00f3re nawet <\/span>po podniesieniu wymaga\u0144<\/b> (nareszcie!) wci\u0105\u017c pojawiaj\u0105 si\u0119 regularnie. Co wi\u0119cej, w ostatnim czasie nawijacze z\u00a0pierwszej ligi coraz cz\u0119\u015bciej ostrz\u0105 z\u0119by na koncerty stadionowe.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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