{"id":657,"date":"2024-01-17T11:31:41","date_gmt":"2024-01-17T10:31:41","guid":{"rendered":"https:\/\/ebilet.mda.pl\/?p=657"},"modified":"2024-05-20T14:23:09","modified_gmt":"2024-05-20T13:23:09","slug":"jakie-sa-znane-postacie-teatralne-i-ich-znaczenie-w-kulturze","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/jakie-sa-znane-postacie-teatralne-i-ich-znaczenie-w-kulturze\/","title":{"rendered":"Jakie s\u0105 znane postacie teatralne i ich znaczenie w kulturze?"},"content":{"rendered":"\n
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Kompleks Edypa, czyli zakocha\u0142em si\u0119 we w\u0142asnej matce<\/span><\/h2>\n

Kompleks Edypa to termin wprowadzony do psychologii przez Zygmunta Freuda. Lekarz jednak nie wymy\u015bli\u0142 tej nazwy, a jedynie zaczerpn\u0105\u0142 j\u0105 <\/span>z tragedii greckiej pt. “Kr\u00f3l Edyp”, <\/b>kt\u00f3rej autorem by\u0142 Sofokles. Opowiada ona to kr\u00f3lu Teb, Edypie. Nie zna\u0142 on swoich biologicznych rodzic\u00f3w. Jego losy potoczy\u0142y si\u0119 tak, \u017ce zabi\u0142 swojego ojca, a p\u00f3\u017aniej <\/span>o\u017ceni\u0142 si\u0119 z w\u0142asn\u0105 matk\u0105 i mia\u0142 z ni\u0105 dzieci.\u00a0<\/b><\/p>\n

Kompleks Edypa nawi\u0105zuje dzi\u015b do zakochania si\u0119 syna w matce. W przypadku c\u00f3rek i ojc\u00f3w operujemy terminem “kompleks Elektry”, kt\u00f3ry zosta\u0142 wprowadzony przez Carla Gustava Junga.\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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“By\u0107 albo nie by\u0107; oto jest pytanie”<\/span><\/h2>\n

Cz\u0119sto powtarzane dzi\u015b s\u0142owa \u201eBy\u0107 albo nie by\u0107\u201d (ang. \u201eTo be, or not to be\u201d) pochodz\u0105<\/span> z dramatu <\/b>“Hamlet”<\/strong> Williama Shakespeare\u2019a. <\/b>Wypowiedzia\u0142 je ksi\u0105\u017ck\u0119 Danii, Hamlet w pierwszej scenie trzeciego aktu.<\/span> Zastanawia\u0142 si\u0119 wtedy, czy wybra\u0107 czynn\u0105 czy biern\u0105 postaw\u0119 przeciw przeciwno\u015bciom.\u00a0<\/b><\/p>\n

Ten cytat jest obecny nie tylko w codzienno\u015bci, ale tak\u017ce w popkulturze. Zosta\u0142 <\/span>wykorzystany jak tytu\u0142 ameryka\u0144skiego filmu z 1942 roku. <\/b>Opowiada on o aktorach, kt\u00f3rzy przygotowuj\u0105 si\u0119 jednocze\u015bnie do wystawienia sztuki na scenie i zamachu na hitlerowc\u00f3w. “By\u0107 albo nie by\u0107” pojawia si\u0119 tak\u017ce <\/span>w piosenkach, tekstach publicystycznych czy satyrycznych. <\/b>Cytat ten pojawia si\u0119 tak\u017ce <\/span>w licznych memach.<\/b><\/p>\n

Tajemnica, o kt\u00f3rej wszyscy wiedz\u0105<\/span><\/h2>\n

Tajemnica poliszynela to termin, kt\u00f3ry powsta\u0142 na bazie w\u0142oskiego lub francuskiego teatru lalek. <\/b>Postaci\u0105, kt\u00f3ra cz\u0119sto si\u0119 tam pojawia\u0142a, by\u0107 Poliszynel (fr. Polichinelle, w\u0142. Pulcinella). To garbaty cz\u0142owiek, kt\u00f3ry jest bardzo<\/span> gadatliwy i ci\u0105gle plotkuje.<\/b> Niby robi to szepcz\u0105c pod nosem, ale dzi\u0119ki temu wszyscy mog\u0105 owe plotki us\u0142ysze\u0107.\u00a0<\/span><\/p>\n

M\u00f3wi si\u0119 wi\u0119c, \u017ce <\/span>tajemnica poliszynela to znana powszechnie wiadomo\u015b\u0107, o kt\u00f3rej jednak nikt publicznie nie m\u00f3wi.<\/b> Jednocze\u015bnie nikt nie poszukuje wiarygodno\u015bci ani weryfikacji danej informacji.\u00a0<\/span><\/p>\n

A mo\u017ce cukierka z orzechami?\u00a0<\/span><\/h2>\n

Kto nie lubi Pierrot\u00f3w? To pyszne cukierki z Wedla, kt\u00f3re s\u0105 po\u0142\u0105czeniem czekolady i orzech\u00f3w. A wiesz, \u017ce Wedel nie wymy\u015bli\u0142 tej nazwy samodzielnie? Zosta\u0142a ona zaczerpni\u0119ta z teatru. Nawet na grafikach opakowa\u0144 i papierk\u00f3w mo\u017cemy dostrzec czapk\u0119 b\u0142azna\u2026 a to wszystko dlatego, \u017ce <\/span>Pierrot jest jedn\u0105 z postaci w\u0142oskiej commedii dell\u2019arte. <\/b>Zosta\u0142 rozs\u0142awiony przez pantomim\u0119 francusk\u0105. Jest to paradoksalnie smutna posta\u0107. Ma wybielon\u0105 twarz, namalowane du\u017ce, czarne \u0142zy na policzkach i bia\u0142y str\u00f3j z czarnymi guzikami. <\/span>Po polsku jest znany jako “Piotru\u015b” lub “Czarny Piotru\u015b”. <\/b>W niekt\u00f3rych wydaniach mo\u017cemy go zobaczy\u0107 w\u0142a\u015bnie w owej czapce.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Polecamy na eBilet.pl<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
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Prezent urodzinowy<\/p>\n <\/div>\n

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\u0141\u00f3d\u017a, Pozna\u0144, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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SIX<\/p>\n <\/div>\n

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Pikantni<\/p>\n <\/div>\n

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Bydgoszcz, Krak\u00f3w, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Petarda<\/p>\n <\/div>\n

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ART<\/p>\n <\/div>\n

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Co na to Maria? (Ma\u0142a Scena Teatru Warszawa)<\/p>\n <\/div>\n

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Widelec w g\u0142owie<\/p>\n <\/div>\n

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Wszyscy m\u00f3wi\u0105 o Jamiem<\/p>\n <\/div>\n

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Kim jest pan Schmitt?<\/p>\n <\/div>\n

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Antropologia<\/p>\n <\/div>\n

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Wspania\u0142e Horyzonty<\/p>\n <\/div>\n

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Genialny pomys\u0142<\/p>\n <\/div>\n

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Kalisz, Krak\u00f3w, Pozna\u0144 i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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P\u00f3\u0142 \u017cartem\u2026<\/p>\n <\/div>\n

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Bo\u017cyszcze Kobiet<\/p>\n <\/div>\n

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\u017babusia<\/p>\n <\/div>\n

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Ach, ten b\u00f3l istnienia<\/span><\/h2>\n

Weltschmerz, czyli “b\u00f3l \u015bwiata”, “b\u00f3l istnienia” na sta\u0142e zago\u015bci\u0142 w popkulturze. <\/b>S\u0142owo to jest znane przez nastolatk\u00f3w i m\u0142odych doros\u0142ych, poniewa\u017c coraz cz\u0119\u015bciej pojawia si\u0119<\/span> w memach. <\/b>Mo\u017cna na nie trafi\u0107 na produktach, np. skarpetkach, polskiej marki Nad Wyraz.\u00a0<\/span><\/p>\n

A wiesz, sk\u0105d si\u0119 owe poj\u0119cie wzi\u0119\u0142o? Pochodzi ono poniek\u0105d<\/span> z utworu \u201eCierpienia m\u0142odego Wertera\u201d niemieckiego autora Johana Wolfganga Goethego.<\/b> Sam termin zosta\u0142 jednak zapocz\u0105tkowany przez Johanna Paula Friedricha Richtera. Nawi\u0105zuje on do my\u015bli o niedoskona\u0142o\u015bci \u015bwiata; do tego, \u017ce chcemy dzia\u0142a\u0107, ale nie mo\u017cemy ju\u017c nic zrobi\u0107; do pesymizmu, wra\u017cliwo\u015bci, romantyzmu i sentymentalizmu. Bohategorii Goethego towarzyszy <\/span>apatia, za\u0142amanie i melancholia.<\/b> Widzi on coraz wi\u0119cej <\/span>niedoskona\u0142o\u015bci \u015bwiata, <\/b>kt\u00f3re s\u0105 obecne tak\u017ce dzi\u015b i kt\u00f3re s\u0105 doskonale zauwa\u017cane przez m\u0142odych ludzi. Nic wi\u0119c dziwnego, \u017ce Weltschmerz zatacza ko\u0142o i zn\u00f3w staje si\u0119 obecny.<\/span><\/p>\n

Jak to w ko\u0144cu jest z kobietami?\u00a0<\/span><\/h2>\n

Cho\u0107 kolejna posta\u0107 pochodzi z powie\u015bci, nierzadko pojawia si\u0119 tak\u017ce na teatralnej scenie. Mowa tu<\/span> o Izabeli \u0141\u0119ckiej, bohaterce “Lalki” Boles\u0142awa Prusa.<\/b> Jest ona c\u00f3rk\u0105 arystokraty. Pi\u0119kna, interesuj\u0105ca si\u0119 literatur\u0105, jednak nie\u015bwiadoma otaczaj\u0105cego jej \u015bwiata kobieta staje si\u0119 obiektem westchnie\u0144 Wokulskiego. Ci\u0105gle odwleka decyzj\u0119 o ma\u0142\u017ce\u0144stwie. W ko\u0144cu bierze \u015blub z rozs\u0105dku, a nie z mi\u0142o\u015bci. Niekt\u00f3rzy uwa\u017caj\u0105, \u017ce to \u0141\u0119cka jest tytu\u0142ow\u0105 “Lalk\u0105”, czyli kukie\u0142k\u0105, kt\u00f3ra skupia si\u0119 jedynie na zabawie. Izabela \u0141\u0119cka sta\u0142a si\u0119 obiektem mem\u00f3w, wi\u0119c jest popularn\u0105 bohaterk\u0105 w\u015br\u00f3d nastolatk\u00f3w i m\u0142odych doros\u0142ych.\u00a0<\/span><\/p>\n

Podczas analizy utworu jest uznawana za “\u0142atw\u0105” kobiet\u0119, kt\u00f3ra dla pieni\u0119dzy zrobi wszystko.<\/span> Jednak tak szerokie pojawienie si\u0119 jej w popkulturze sprawi\u0142o, \u017ce pojawi\u0142a si\u0119 otwarta dyskusja na temat moralno\u015bci \u0141\u0119ckiej oraz og\u00f3lnie kobiet,<\/b> kt\u00f3re cz\u0119sto s\u0105 oceniane za swoje zachowania, podczas gdy m\u0119\u017cczyzn nie ocenia nikt.<\/span><\/p>\n

Postaci teatralne bardzo cz\u0119sto pojawiaj\u0105 si\u0119 w naszej codzienno\u015bci i kulturze. Pozwalaj\u0105 one spojrze\u0107 nieco inaczej na \u015bwiat lub nazwa\u0107 zjawiska, kt\u00f3re s\u0105 trudne do wyja\u015bnienia.\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Gor\u0105ce wydarzenia<\/h2>\n <\/div>\n
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Gor\u0105ce wydarzenia<\/h2>\n <\/div>\n <\/div>\n
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ARK: Janus Rasmussen<\/p>\n <\/div>\n

27.11.2026-27.11.2026<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Koncert w\u015br\u00f3d kwiat\u00f3w i \u015bwiec: Tribute to Bad Bunny i inni<\/p>\n <\/div>\n

25.07.2026-25.07.2026<\/div>\n
Warszawa, Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Marek Dyjak<\/p>\n <\/div>\n

18.10.2026-18.10.2026<\/div>\n
Toru\u0144, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Klasyka Rocka przy \u015bwiecach<\/p>\n <\/div>\n

29.10.2026-29.10.2026<\/div>\n
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Muzyka filmowa przy \u015bwiecach: Bridgertonowie<\/p>\n <\/div>\n

29.10.2026-29.10.2026<\/div>\n
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Wiecz\u00f3r francuskiego jazzu: ZAZ, Edith Piaf i inne ikony<\/p>\n <\/div>\n

15.10.2026-15.10.2026<\/div>\n
Bydgoszcz, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
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Tribute to Sade<\/p>\n <\/div>\n

15.10.2026-15.10.2026<\/div>\n
Bydgoszcz, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Sunset Square 2026<\/p>\n <\/div>\n

28.08.2026-28.08.2026<\/div>\n
Gdynia<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Queen Symfonicznie \u2013 trasa XV-lecia<\/p>\n <\/div>\n

10.10.2026-10.10.2026<\/div>\n
Bia\u0142ystok, Bielsko-Bia\u0142a, Gda\u0144sk i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Tenside + Aurorawave + Sugar Spine<\/p>\n <\/div>\n

24.09.2026-24.09.2026<\/div>\n
Krak\u00f3w, Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Frank Sinatra Tribute: Randolph Matthews<\/p>\n <\/div>\n

12.09.2026-12.09.2026<\/div>\n
Bielsko-Bia\u0142a, Jastrz\u0119bie-Zdr\u00f3j, Katowice i inne<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Mo\u017cd\u017cer \/ Danielsson \/ Fresco <\/p>\n <\/div>\n

04.12.2026-04.12.2026<\/div>\n
\u0141\u00f3d\u017a<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Muzyka na \u0142onie natury: Bridgertonowie<\/p>\n <\/div>\n

30.08.2026-30.08.2026<\/div>\n
Sopot<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Aksamitne melodie na \u0142onie natury: muzyka Stinga i Sade<\/p>\n <\/div>\n

29.08.2026-29.08.2026<\/div>\n
Sopot<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Klasyka Rocka na \u0142onie natury<\/p>\n <\/div>\n

30.08.2026-30.08.2026<\/div>\n
Sopot<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n \n

ARK: Janus Rasmussen<\/p>\n <\/a>\n

\n 27.11.2026-27.11.2026 <\/div>\n
Warszawa<\/div>\n <\/div>\n
\n \n

Koncert w\u015br\u00f3d kwiat\u00f3w i \u015bwiec: Tribute to Bad Bunny i inni<\/p>\n <\/a>\n

\n 25.07.2026-27.08.2026 <\/div>\n
Warszawa, Wroc\u0142aw<\/div>\n <\/div>\n
\n \n

Marek Dyjak<\/p>\n <\/a>\n

\n 18.10.2026-29.10.2026 <\/div>\n
Toru\u0144, Warszawa<\/div>\n <\/div>\n
\n \n

Klasyka Rocka przy \u015bwiecach<\/p>\n <\/a>\n

\n 29.10.2026-29.10.2026 <\/div>\n
Tarn\u00f3w<\/div>\n <\/div>\n
\n \n

Muzyka filmowa przy \u015bwiecach: Bridgertonowie<\/p>\n <\/a>\n

\n 29.10.2026-29.10.2026 <\/div>\n
Tarn\u00f3w<\/div>\n <\/div>\n
\n \n

Wiecz\u00f3r francuskiego jazzu: ZAZ, Edith Piaf i inne ikony<\/p>\n <\/a>\n

\n 15.10.2026-18.10.2026 <\/div>\n
Bydgoszcz, Warszawa<\/div>\n <\/div>\n
\n \n

Tribute to Sade<\/p>\n <\/a>\n

\n 15.10.2026-17.10.2026 <\/div>\n
Bydgoszcz, Warszawa<\/div>\n <\/div>\n
\n \n

Sunset Square 2026<\/p>\n <\/a>\n

\n 28.08.2026-29.08.2026 <\/div>\n
Gdynia<\/div>\n <\/div>\n
\n \n

Queen Symfonicznie \u2013 trasa XV-lecia<\/p>\n <\/a>\n

\n 10.10.2026-03.04.2027 <\/div>\n
Bia\u0142ystok, Bielsko-Bia\u0142a, Gda\u0144sk i inne<\/div>\n <\/div>\n
\n \n

Tenside + Aurorawave + Sugar Spine<\/p>\n <\/a>\n

\n 24.09.2026-25.09.2026 <\/div>\n
Krak\u00f3w, Warszawa<\/div>\n <\/div>\n
\n \n

Frank Sinatra Tribute: Randolph Matthews<\/p>\n <\/a>\n

\n 12.09.2026-20.09.2026 <\/div>\n
Bielsko-Bia\u0142a, Jastrz\u0119bie-Zdr\u00f3j, Katowice i inne<\/div>\n <\/div>\n
\n \n

Mo\u017cd\u017cer \/ Danielsson \/ Fresco <\/p>\n <\/a>\n

\n 04.12.2026-04.12.2026 <\/div>\n
\u0141\u00f3d\u017a<\/div>\n <\/div>\n
\n \n

Muzyka na \u0142onie natury: Bridgertonowie<\/p>\n <\/a>\n

\n 30.08.2026-30.08.2026 <\/div>\n
Sopot<\/div>\n <\/div>\n
\n \n

Aksamitne melodie na \u0142onie natury: muzyka Stinga i Sade<\/p>\n <\/a>\n

\n 29.08.2026-29.08.2026 <\/div>\n
Sopot<\/div>\n <\/div>\n
\n \n

Klasyka Rocka na \u0142onie natury<\/p>\n <\/a>\n

\n 30.08.2026-30.08.2026 <\/div>\n
Sopot<\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
<\/div>\n <\/div>\n <\/div>\n
\n
\n \n
\"\"<\/div>\n

Kup na eBilet.pl<\/p>\n <\/a>\n <\/div>\n

\n \n
\"\"<\/div>\n

Kup na eBilet.pl<\/p>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

S\u0105 takie nazwy czy osoby, kt\u00f3re na sta\u0142e wesz\u0142y do naszej kultury i nawet nie zdajemy sobie sprawy z tego, \u017ce zosta\u0142y zaczerpni\u0119te ze \u015bwiata teatru. Ciekawi Ci\u0119, sk\u0105d si\u0119 wzi\u0105\u0142 kompleks Edypa, tajemnica, o kt\u00f3rej wszyscy wiedz\u0105 albo nazwa pysznych cukierk\u00f3w z czekolad\u0105 i orzechami? W takim razie koniecznie czytaj dalej!<\/p>\n","protected":false},"author":14,"featured_media":658,"comment_status":"open","ping_status":"open","sticky":false,"template":"page-templates\/article-default.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"article_tag":[38,36],"article_type":[5],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/posts\/657"}],"collection":[{"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/comments?post=657"}],"version-history":[{"count":3,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/posts\/657\/revisions"}],"predecessor-version":[{"id":19194,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/posts\/657\/revisions\/19194"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/media\/658"}],"wp:attachment":[{"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/media?parent=657"}],"wp:term":[{"taxonomy":"article_tag","embeddable":true,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/article_tag?post=657"},{"taxonomy":"article_type","embeddable":true,"href":"https:\/\/www.ebilet.pl\/now\/wp-json\/wp\/v2\/article_type?post=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}