{"id":61068,"date":"2025-07-25T09:58:33","date_gmt":"2025-07-25T08:58:33","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=61068"},"modified":"2025-09-18T20:44:03","modified_gmt":"2025-09-18T19:44:03","slug":"paluch-znalazl-sposob-jak-po-20-latach-wciaz-przyciagac-tlumy","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/paluch-znalazl-sposob-jak-po-20-latach-wciaz-przyciagac-tlumy\/","title":{"rendered":"Paluch znalaz\u0142 spos\u00f3b, jak po 20 latach wci\u0105\u017c przyci\u0105ga\u0107 t\u0142umy"},"content":{"rendered":"\n
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Kontrakt z mi\u0119dzynarodowym koncernem fonograficznym brzmi jak spe\u0142nienie marze\u0144 niejednego, nieopierzonego rapera nawet dzi\u015b, a co dopiero 30 lat temu! Bud\u017cety, zaliczki i dost\u0119p do profesjonalnego sprz\u0119tu w latach 90. \u2013 przynajmniej dla nawijaczy \u2013 by\u0142y czym\u015b rzadko spotykanym. Takie umowy oczywi\u015bcie zawierano \u2013 Molesta<\/a>, Liroy<\/a>, Waco, Fu, Funky Filon to tylko niekt\u00f3re z nazwisk.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Du\u017co popularniejsze by\u0142o wydawanie muzyki w mniejszych oficynach. Legendarny RRX, Camey Studio, P.H. Kopalnia. Przez lata pr\u0119\u017cnie dzia\u0142a\u0142a <\/span>Fonografika<\/b>, a opolskie Step Records zdominowa\u0142o przez pewien czas rynek wydawniczy. Z biegiem czasu raperzy coraz ch\u0119tniej przechodzili “na swoje”. Zak\u0142adali nowe wytw\u00f3rnie, s\u0142u\u017c\u0105ce najpierw do samodzielnego wydawania w\u0142asnej tw\u00f3rczo\u015bci, a nierzadko ko\u0144czy\u0142y na promowaniu kolejnych talent\u00f3w. T\u0119 drog\u0119 obrali m.in. Solar z Bia\u0142asem, Peja<\/a>, Ten Typ Mes<\/a>, S\u0142o\u0144<\/a>, Hemp Gru<\/a>, Tede<\/a>, Quebonafide<\/a>, Taco Hemingway<\/a> i PRO8L3M<\/a> czy Paluch<\/a>. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Fot. Materia\u0142y prasowe<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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Bez \u0142awki rezerwowych<\/b><\/h2>\n

Debiutancki album Paluszaka, “\u017bycie jest pi\u0119kne”, trafi\u0142 w r\u0119ce s\u0142uchaczy w 2004 roku. Raper z Pi\u0105tkowa ju\u017c wtedy by\u0142 cz\u0142onkiem Aifam, grupy za\u0142o\u017conej przez Mrokasa i Wabera pod koniec lat 90., oraz wyst\u0119powa\u0142 go\u015bcinnie u kumpli po fachu. Razem z Aifam wyda\u0142 dwa albumy, jednak <\/span>Paluchowi zdecydowanie bardziej pasuje rola solisty ni\u017c cz\u0142onka grupy.\u00a0<\/b><\/p>\n

Mimo powszechnie przypisywanej mu samowystarczalno\u015bci, Paluch od pocz\u0105tku ch\u0119tnie wsp\u00f3\u0142pracowa\u0142 z innymi raperami. Wyst\u0105pi\u0142 w cypherze “To miasto\u2026” z\u00a0poka\u017an\u0105 reprezentacj\u0105 Poznania, pojawi\u0142 si\u0119 u Buczera, dogra\u0142 na p\u0142yty Kobry, Bosskiego Romana z krakowskiej Firmy czy Macca Squadu. Cz\u0119ste go\u015bcinki nie tylko <\/span>zwi\u0119kszy\u0142y rozg\u0142os Palucha<\/b>, ale r\u00f3wnie\u017c przyczyni\u0142y si\u0119 do mocnych wzmocnie\u0144 na jego p\u0142ytach.\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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