{"id":46774,"date":"2025-03-05T09:25:47","date_gmt":"2025-03-05T08:25:47","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=46774"},"modified":"2025-03-27T09:29:23","modified_gmt":"2025-03-27T08:29:23","slug":"lady-gaga-powraca-dlaczego-mayhem-to-najwazniejsza-muzyczna-premiera-tego-roku","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/lady-gaga-powraca-dlaczego-mayhem-to-najwazniejsza-muzyczna-premiera-tego-roku\/","title":{"rendered":"Lady Gaga powraca. Dlaczego \u201cMayhem\u201d to najwa\u017cniejsza muzyczna premiera tego roku?"},"content":{"rendered":"\n
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Lady Gaga<\/strong><\/a>, jak s\u0142usznie wskazuje jej artystyczny pseudonim, w artystycznym \u015bwiecie jest arystokratk\u0105. Skromn\u0105 – nie przyj\u0119\u0142a samozwa\u0144czej korony. Swoj\u0105 pozycj\u0119 wypracowa\u0142a latami niezrozumienia, ci\u0119\u017ckiej pracy, talentem: takiego efekciarstwa nie by\u0142o ani przed ni\u0105, ani po niej. Koncept artystki poszed\u0142 w parze z rewolucj\u0105, a po latach od kontrowersyjnego i jak\u017ce pami\u0119tnego debiutu, Lady Gaga<\/strong> ponownie prowadzi lud na barykady.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Fot. materia\u0142y promocyjne Universal Music Polska<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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\u201cMayhem\u201d – najwa\u017cniejsza premiera tego roku?\u00a0<\/b><\/h2>\n

\u015awiat jest przedziwnym konstruktem: momentalnie niebezpiecznie idealnie zaplanowanym. Z\u0142ota formu\u0142a, ci\u0105g Fiboncciego, cykliczno\u015b\u0107. Rytm dnia wyznaczany przez s\u0142o\u0144ce, rytm pracy (niegdy\u015b) przez pory roku, rytm s\u0142uchanej muzyki przez trendy. Te: przychodz\u0105, odchodz\u0105, wracaj\u0105. Do niedawna w popie prym wiod\u0142y dwie \u015bcie\u017cki: quality pop i ejtisy, ewentualnie ich miks. Samplowanie starych banger\u00f3w wesz\u0142o artystom w krew, Zetki nawet si\u0119 nie \u0142api\u0105, \u017ce s\u0142uchaj\u0105 nowej wersji starej piosenki.<\/strong> Elegancki, czysty miks nawet nie\u017ale brzmi z g\u0142o\u015bnika z promocji i zapasowych s\u0142uchawek. Potem: bum. Fala nostalgii o\u015bwietli\u0142a \u0142ask\u0105 lata 2000-2010, kt\u00f3re w mainstreamie nie kojarz\u0105 si\u0119 z jako\u015bci\u0105. Radiowa mas\u00f3wa, par\u0119 wyj\u0105tk\u00f3w i\u2026 Lady Gaga<\/strong>.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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\u201cMayhem\u201d<\/strong> b\u0119dzie wi\u0119c powrotem do popowych korzeni artystki. Tych najg\u0142\u0119bszych, si\u0119gaj\u0105cych \u201cThe Fame\u201d<\/strong>, bia\u0142ej peruki z grzywk\u0105, \u201cJust Dance\u201d<\/strong> przez sukienk\u0119 z mi\u0119sa, ikonicznego klipu do \u201cBad Romance\u201d czy uk\u0142onu w stron\u0119 spo\u0142eczno\u015bci LGBT utworem \u201cBorn This Way\u201d<\/strong>. \u201cAbracadabra\u201d<\/strong> i \u201cDisease\u201d<\/strong> podkre\u015bli\u0142y t\u0119 paralel\u0119; muzyka jest jakby brudnawa, troch\u0119 obrzydliwa, kampowa. 100 procent Gagi w Gadze, podr\u00f3\u017c w czasie i bangery: bangery, jakich nie by\u0142o od kiedy Jessie Ware zrobi\u0142a \u201cWhat\u2019s Your Pleasure\u201d<\/strong>, pracuj\u0105c na podobnym mechanizmie wyczekiwanego powrotu.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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