{"id":45208,"date":"2025-02-17T10:41:28","date_gmt":"2025-02-17T09:41:28","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=45208"},"modified":"2025-09-19T07:44:18","modified_gmt":"2025-09-19T06:44:18","slug":"czego-oni-sluchaja-muzyczny-headcanon-bohaterow-z-the-last-of-us","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/czego-oni-sluchaja-muzyczny-headcanon-bohaterow-z-the-last-of-us\/","title":{"rendered":"Czego oni s\u0142uchaj\u0105? Muzyczny headcanon bohater\u00f3w z \u201cThe Last of Us\u201d"},"content":{"rendered":"\n
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Soundtrack w produkcjach wizualnych: czynnik niemal tak samo istotny, jak sam obraz. Nie ujmuj\u0105c niczego <\/span>Davidowi Lynchowi<\/b>, ale \u201cTwin Peaks\u201d nigdy nie sta\u0142oby si\u0119 tak ikoniczne bez muzyki <\/span>Angelo Badalamentiego.<\/b> Czym by\u0142by \u201cDirty Dancing\u201d, gdyby nie \u201c<\/span>(I’ve Had) The <\/span>Time of My Life\u201d? \u201cTop Gun\u201d bez \u201cTake My Breath Away\u201d? \u201cGra o Tron\u201d z wykluczeniem kompozycji <\/span>Ramina Djawadi<\/b>ego<\/b>? \u201cOppenheimer\u201d pozbawiony udzia\u0142u <\/span>Ludwiga G\u00f6ranssona<\/b>? \u201cChallengers\u201d w oderwaniu od <\/span>Trenta Reznora <\/b>i <\/span>Atticusa Rossa<\/b>?<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Wierz\u0119, \u017ce dowiod\u0142am to, czego w\u0142a\u015bciwie udowadnia\u0107 nie trzeba. Soundtrack i obraz w wielu przypadkach s\u0105 nierozerwalne, uzupe\u0142niaj\u0105 si\u0119 i przenikaj\u0105 wzajemnie. Bywaj\u0105 te\u017c produkcje takie, gdzie muzyka pe\u0142ni w\u0142a\u015bciwie oddzieln\u0105 rol\u0119 – w \u201c<\/span>Sound of Metal\u201d czy nieco inaczej, w \u201cBaby Driver\u201d. Ten ostatni film jest zreszt\u0105 inspiracj\u0105 do cyklu \u201cCzego oni s\u0142uchaj\u0105. Muzyczny headcanon bohater\u00f3w\u201d<\/span>, w kt\u00f3rym postaciom znanym z gier, film\u00f3w czy seriali przypisuj\u0119 ich unikalny gust muzyczny. Let\u2019s gooo!<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Czego oni s\u0142uchaj\u0105? Edycja \u201cThe Last of Us\u201d: Joel<\/b><\/h2>\n

Ka\u017cdy, kto uwa\u017cnie ogl\u0105da\u0142 (albo uwa\u017cnie gra\u0142 w) TLOU, pami\u0119ta, \u017ce <\/span>Joel <\/b>mia\u0142 muzyczn\u0105 przesz\u0142o\u015b\u0107. Potrafi gra\u0107 na gitarze (co wbrew pozorom wcale nie jest defaultow\u0105 cech\u0105 Teksa\u0144czyka), a w domu posiada spor\u0105 kolekcj\u0119 winyli. Cho\u0107 mo\u017ce sprawia\u0107 wra\u017cenie kogo\u015b, kto podwa\u017ca\u0142by autorytet <\/span>Taylor Swift<\/b>, w istocie <\/span>Joel<\/b> to typ odkrywcy, kt\u00f3rego rajcuje eksploracja nowo\u015bci. W czo\u0142\u00f3wce zawsze postawi starocie, jednak definitywnie nie ma zamkni\u0119tej g\u0142owy, a jego gust jest raczej\u00a0 eklektyczny.<\/span><\/p>\n

Czego zatem s\u0142ucha\u0142by <\/span>Joel<\/b>? Oczywisty pewniak to <\/span>Depeche Mode<\/b>, ale to prawdziwy kanon: konkretniej utw\u00f3r \u201c<\/span>Never Let Me Down Again\u201d. Opr\u00f3cz tego do grona jego ulubionych wykonawc\u00f3w nale\u017ca\u0142by na wskro\u015b ameryka\u0144ski <\/span>Bruce Springsteen<\/b> i surowy <\/span>Johnny Cash<\/b>. Na jego playli\u015bcie go\u015bci\u0142by tak\u017ce <\/span>Tom Waits<\/b>, <\/span>Mumford & Sons<\/b> i obowi\u0105zkowo nostalgiczny <\/span>Lou Reed<\/b>. Ponadto: <\/span>Lana Del Rey<\/b> i\u2026 <\/span>Miley Cyrus<\/b>. Smutas uwielbia\u0142by \u201cUltraviolence\u201d, a z drugiej strony \u201cParty in the USA\u201d by\u0142oby jego pilnie strze\u017conym guilty pleasure. Z nowo\u015bci jara\u0142by si\u0119 comebackiem country do mainstreamu, czyli najnowszymi albumami <\/span>Post Malone <\/b>i<\/span> Beyonc\u00e9<\/b>. \u201cTEXAS HOLD\u2019EM\u201d niezaprzeczalnie wyl\u0105dowa\u0142oby w jego topce Spotify Wrapped.<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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