{"id":42677,"date":"2025-01-20T14:05:42","date_gmt":"2025-01-20T13:05:42","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=42677"},"modified":"2025-09-19T15:31:44","modified_gmt":"2025-09-19T14:31:44","slug":"blue-monday-odswiezamy-historie-hitu-new-order","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/blue-monday-odswiezamy-historie-hitu-new-order\/","title":{"rendered":"“Blue Monday” – od\u015bwie\u017camy histori\u0119 hitu New Order"},"content":{"rendered":"\n
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Definicja synth-popu<\/h2>\n

W 1980 roku muzyczny \u015bwiat obieg\u0142a informacja, \u017ce zmar\u0142 Ian Curtis<\/strong>, wokalista legendarnej grupy Joy Division<\/strong>. Wstrz\u0105\u015bni\u0119ci muzycy postanowili znale\u017a\u0107 uj\u015bcie swoich emocji w zupe\u0142nie innych rytmach. Z zimnego post-punku przerzucili si\u0119 na zupe\u0142nie inne brzmienia, mocno zaakcentowane elektronik\u0105. W wyniku tych zmian, uformowano\u00a0New Order<\/strong>, w kt\u00f3rego sk\u0142ad wchodzili Bernard Sumner, Peter Hook, Gillian Gilbert oraz Stephen Morris<\/strong>. Ta ekipa wyda\u0142a debiutancki “Movement”<\/strong> z 1981 roku. Jeszcze nie wiedzieli, \u017ce dzieli ich moment od najwi\u0119kszego prze\u0142omu na kartach tego zespo\u0142u.<\/p>\n

Cofnijmy si\u0119 w czasie do 1983 roku. New Order<\/strong> wydaje sw\u00f3j drugi kr\u0105\u017cek, ociekaj\u0105cy moc\u0105, korupcj\u0105, k\u0142amstwami\u2026 i hitem, kt\u00f3ry wkr\u00f3tce odmieni ich karier\u0119. Brytyjski zesp\u00f3\u0142 postanowi\u0142 nale\u017cycie wypromowa\u0107 “Power, Corruption & Lies”<\/strong>, wi\u0119c wytypowa\u0142 “Blue Monday”<\/strong> jako idealn\u0105 piosenk\u0119 do tej roli. Jak si\u0119 okaza\u0142o, to dzia\u0142anie sta\u0142o si\u0119 strza\u0142em w dziesi\u0105tk\u0119 i singiel zacz\u0105\u0142 pi\u0105\u0107 si\u0119 po szczeblach list przeboj\u00f3w, staj\u0105c si\u0119 swoistym hitem synth popu.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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Stephen Morris<\/strong> uwa\u017ca, \u017ce nazwa utworu zosta\u0142a zaczerpni\u0119ta z noweli “Breakfast of Champions, or Goodbye Blue Monday” (“\u015aniadanie mistrz\u00f3w”, 1973), kt\u00f3rej autorem jest Kurt Vonnegut<\/strong>. Peter Hook<\/strong> twierdzi, \u017ce tytu\u0142 zosta\u0142 zainspirowany piosenk\u0105 Fats Domino<\/strong>. Barney\u2019s Original przytoczy\u0142 s\u0142owa basisty: “Mia\u0142 piosenk\u0119 zatytu\u0142owan\u0105 Blue Monday. By\u0142 poniedzia\u0142ek, a my wszyscy byli\u015bmy nieszcz\u0119\u015bliwi, wi\u0119c pomy\u015bla\u0142em: o, to ca\u0142kiem trafne”.<\/em><\/p>\n

Charakterystyczne brzmienie formacja zawdzi\u0119cza\u2026 Oberheim DMX! Co ciekawe, Gillian Gilbert<\/strong> w rozmowie z The Guardian wspomnia\u0142, \u017ce do jego zada\u0144 nale\u017ca\u0142o “zaprogramowanie piosenki od pocz\u0105tku do ko\u0144ca, co musia\u0142o by\u0107 wykonane r\u0119cznie, poprzez wprowadzanie ka\u017cdej nuty”<\/em>. Przyzna\u0142, \u017ce pomin\u0105\u0142 jedn\u0105 z nich, przez co zdeformowano nieco melodi\u0119. Powiedzia\u0142, \u017ce efekt mia\u0142 by\u0107 robotyczny, by zesp\u00f3\u0142 m\u00f3g\u0142 wyj\u015b\u0107 na scen\u0119 i zaprezentowa\u0107 utw\u00f3r bez u\u017cycia instrument\u00f3w. M\u00f3wi si\u0119, \u017ce to w\u0142a\u015bnie “Blue Monday”<\/strong> porwa\u0142 do ta\u0144ca fan\u00f3w rocka – to idealny kompromis i balans mi\u0119dzy r\u00f3\u017cnymi \u015bwiatami muzycznymi.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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