{"id":41947,"date":"2025-01-10T14:07:39","date_gmt":"2025-01-10T13:07:39","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=41947"},"modified":"2025-09-19T16:25:53","modified_gmt":"2025-09-19T15:25:53","slug":"konflikty-ktore-doprowadzily-do-rozpadu-legendarnych-zespolow","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/konflikty-ktore-doprowadzily-do-rozpadu-legendarnych-zespolow\/","title":{"rendered":"Konflikty, kt\u00f3re doprowadzi\u0142y do rozpadu legendarnych zespo\u0142\u00f3w"},"content":{"rendered":"\n
\n
\n
\n
\n

Zesp\u00f3\u0142 rockowy jest jak ma\u0142\u017ce\u0144stwo zawarte z wielkiej nami\u0119tno\u015bci – ludzie si\u0119 spotykaj\u0105, iskry lec\u0105, powstaje magia. Niestety, gdy wypala si\u0119 pierwsza faza wzajemnej fascynacji, wi\u0119kszo\u015b\u0107 z tych zwi\u0105zk\u00f3w si\u0119 ko\u0144czy, a tylko nieliczne s\u0105 w stanie przej\u015b\u0107 do kolejnego, dojrza\u0142ego etapu relacji i trwa\u0107 przez kolejne dekady.<\/span><\/p>\n

\u201cBycie w zespole jest trudne\u201d \u2013 powiedzia\u0142 Bono<\/strong> w jednym z wywiad\u00f3w. \u201cIm jeste\u015bmy starsi, tym staje si\u0119 to jeszcze trudniejsze bo nie raz, nie dwa masz ochot\u0119 powiedzie\u0107: p\u2026\u2026. to, spadam st\u0105d \u201d. Nie ma w tym stwierdzeniu nic dziwnego. Wyobra\u017a sobie, \u017ce sp\u0119dzasz dziesi\u0119ciolecia wci\u0105\u017c z tymi samymi kolegami ze szko\u0142y \u015bredniej. Na szcz\u0119\u015bcie U2<\/strong> to jeden z niewielu zespo\u0142\u00f3w w historii rocka, kt\u00f3rym uda\u0142o si\u0119 przetrwa\u0107 wewn\u0119trzne kryzysy i niezale\u017cnie od tego, co dzia\u0142o si\u0119 za kulisami, znalaz\u0142 spos\u00f3b, by pomimo r\u00f3\u017cnic gra\u0107 dalej.<\/span><\/p>\n

Niestety, nie wszystkie zespo\u0142y mia\u0142y tyle szcz\u0119\u015bcia. Zdarzaj\u0105 si\u0119 takie konflikty, po kt\u00f3rych cz\u0142onkowie zespo\u0142u nie s\u0105 ju\u017c w stanie przebywa\u0107 razem w tym samym pomieszczeniu.<\/span><\/p>\n

Niedawna informacja o tym, \u017ce muzycy Jane’s Addiction<\/strong> pracuj\u0105 w studiu nad nowym albumem bez Perry’ego Farrella<\/strong> popchn\u0119\u0142a mnie do tego, by przyjrze\u0107 si\u0119 najg\u0142o\u015bniejszym rozstaniom w historii zespo\u0142\u00f3w rockowych.\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

W historii tego gatunku by\u0142o wiele legendarnych zespo\u0142\u00f3w, kt\u00f3re u szczytu s\u0142awy z r\u00f3\u017cnych powod\u00f3w nagle ko\u0144czy\u0142y dzia\u0142alno\u015b\u0107, pozostawiaj\u0105c swoich fan\u00f3w w szoku. Uzale\u017cnienia, megalomania, odmienne wizje muzyczne, zm\u0119czenie s\u0142aw\u0105 i swoim w\u0142asnym towarzystwem oraz pieni\u0105dze \u2013 to g\u0142\u00f3wnie z tych powod\u00f3w wybucha\u0142y bardzo powa\u017cne i medialne konflikty, kt\u00f3re doprowadzaj\u0105 do rozpad\u00f3w wielkich kapel. <\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n

The Beatles\u00a0<\/b><\/h2>\n

Paul McCartney<\/strong> i John Lennon<\/strong> – m\u00f3wi si\u0119, \u017ce ten duet nap\u0119dza\u0142 talent i rywalizacja, a zabi\u0142y go ego i kobiety. Nie wiadomo dok\u0142adnie, o co panom posz\u0142o – historycy rocka spieraj\u0105 si\u0119 o dok\u0142adn\u0105 przyczyn\u0119 rozpadu The Beatles<\/strong> od ponad 50 lat.\u00a0<\/span><\/p>\n

Podobno Paul i John przestali si\u0119 dogadywa\u0107 ju\u017c po 1966 roku, kiedy po latach wewn\u0119trznych napi\u0119\u0107, r\u00f3\u017cnic tw\u00f3rczych i presji globalnej s\u0142awy, muzycy zaprzestali koncertowania i wiedli praktycznie osobne \u017cycia. McCartney podobno mia\u0142, \u017cal do Lennona, \u017ce ten za bardzo anga\u017cowa\u0142 si\u0119 w polityk\u0119 i kocha\u0142 prowokacje. \u0179r\u00f3d\u0142em konfliktu mia\u0142a by\u0107 te\u017c Yoko Ono<\/strong> – partnerka Lennona – kt\u00f3ra zdaniem Paula mia\u0142a odci\u0105ga\u0107 Johna od zespo\u0142u. Jej obecno\u015b\u0107 u boku Lennona na sesjach nagraniowych pod koniec kariery zespo\u0142u irytowa\u0142a podobno r\u00f3wnie\u017c pozosta\u0142ych cz\u0142onk\u00f3w s\u0142ynnej czw\u00f3rki.\u00a0\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\"\"<\/div>\n
Fot. PAP\/Photoshot<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Z kolei Lennon zarzuca\u0142 koledze m.in. apodyktyczno\u015b\u0107. W 1970 roku udzieli\u0142 wywiadu dziennikarzowi magazynu Rolling Stone, w kt\u00f3rym stwierdzi\u0142 mi\u0119dzy innymi: \u201cSprzedali\u015bmy si\u0119… i poczu\u0142em, \u017ce mam dosy\u0107\u201d. Powiedzia\u0142 te\u017c: \u201cMia\u0142em do\u015b\u0107 bycia muzykiem towarzysz\u0105cym dla Paula\u201d.\u00a0\u00a0\u00a0<\/span><\/p>\n

Ostatecznie Lennon odszed\u0142 z zespo\u0142u w 1969 roku. Rok p\u00f3\u017aniej to samo zrobi\u0142 McCartney i The Beatles przestali istnie\u0107 pozostawiaj\u0105c miliony fan\u00f3w w szoku.\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Pink Floyd<\/b><\/h2>\n

Muzyczna odyseja Pink Floyd<\/strong> by\u0142a naznaczona nie tylko ich innowacyjnymi pejza\u017cami d\u017awi\u0119kowymi, ale tak\u017ce wewn\u0119trznymi sporami. Rozpad zespo\u0142u by\u0142 d\u0142ugim, przewlek\u0142ym procesem. G\u0142\u00f3wnym \u017ar\u00f3d\u0142em napi\u0119cia i niezgody mi\u0119dzy Rogerem Watersem<\/strong> a pozosta\u0142ymi cz\u0142onkami grupy mia\u0142y by\u0107 jego dyktatorskie zap\u0119dy i narzucanie kierunku artystycznej wizji zespo\u0142u. Do tego dochodzi\u0142y nieporozumienia dotycz\u0105ce podzia\u0142u zysk\u00f3w i diametralnie r\u00f3\u017cne pogl\u0105dy.\u00a0\u00a0\u00a0<\/span><\/p>\n

Jednym z pierwszych powa\u017cnych spor\u00f3w by\u0142a kwestia autorstwa utwor\u00f3w na albumie \u201cThe Dark Side of the Moon\u201d<\/strong> (1973) – Roger Waters, jako autor wi\u0119kszo\u015bci tekst\u00f3w, zosta\u0142 wymieniany jako g\u0142\u00f3wny tw\u00f3rca p\u0142yty, co wzbudzi\u0142o niezadowolenie Davida Gilmoura<\/strong>, kt\u00f3ry uwa\u017ca\u0142, \u017ce jego wk\u0142ad w komponowanie utwor\u00f3w by\u0142 r\u00f3wnie istotny.<\/span><\/p>\n

 <\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n
\n
\n
\n
\n

Dezintegracj\u0119 grupy pog\u0142\u0119bi\u0142a praca nad wydanym w 1983 roku album \u201cThe Final Cut\u201d<\/strong>, kt\u00f3r\u0105 Gilmour wspomina\u0142 p\u00f3\u017aniej jako nieko\u0144cz\u0105cy si\u0119 koszmar przez coraz bardziej nieprzyst\u0119pnego i apodyktycznego Watersa, kt\u00f3ry potraktowa\u0142 t\u0119 p\u0142yt\u0119 niemal jak projekt solowy i zupe\u0142nie zignorowa\u0142 sugestie reszty cz\u0142onk\u00f3w dotycz\u0105ce utwor\u00f3w, kt\u00f3re Waters zdecydowa\u0142 si\u0119 dorzuci\u0107 na p\u0142yt\u0119, a kt\u00f3re wcze\u015bniej zosta\u0142y odrzucone podczas sesji do \u201cThe Wall\u201d<\/strong>.\u00a0<\/span><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n

Polecamy na eBilet.pl<\/h2>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Enter Enea Festival prezentuje<\/p>\n <\/div>\n

<\/div>\n
Pozna\u0144<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Zlot Ludzi Nie\u015bmia\u0142ych<\/p>\n <\/div>\n

<\/div>\n
Kasinka Ma\u0142a<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Festa Nuova \u2013 w\u0142oski festiwal w Polsce<\/p>\n <\/div>\n

<\/div>\n
Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

3-Maj\u00f3wka 2026<\/p>\n <\/div>\n

<\/div>\n
Wroc\u0142aw<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Strefa 57 Festival<\/p>\n <\/div>\n

<\/div>\n
Przytkowice<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Music Week Poland 2026<\/p>\n <\/div>\n

<\/div>\n
<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Music Week Poland 2026<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Rzeszowskie Juwenalia 2026<\/p>\n <\/div>\n

<\/div>\n
Rzesz\u00f3w<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Juwenalia Politechniki Lubelskiej 2026<\/p>\n <\/div>\n

<\/div>\n
Lublin<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Juwenalia Gda\u0144skie 2026<\/p>\n <\/div>\n

<\/div>\n
Gda\u0144sk<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Circoloco Warsaw<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Juwenalia Bia\u0142ystok 2026<\/p>\n <\/div>\n

<\/div>\n
Bia\u0142ystok<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Juwenalia Cz\u0119stochowskie PCz & UJD 2026<\/p>\n <\/div>\n

<\/div>\n
Cz\u0119stochowa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Orlen Elektronarracje<\/p>\n <\/div>\n

<\/div>\n
Katowice, \u015al\u0105sk, Zabrze<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

G\u00f3raLOVE Festiwal<\/p>\n <\/div>\n

<\/div>\n
Ustro\u0144<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Up To Date Festival 2026<\/p>\n <\/div>\n

<\/div>\n
Bia\u0142ystok<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Juwenalia Pozna\u0144 2026<\/p>\n <\/div>\n

<\/div>\n
Pozna\u0144<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Open’er Festival 2026<\/p>\n <\/div>\n

<\/div>\n
Gdynia<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Orange Warsaw Festival 2026<\/p>\n <\/div>\n

<\/div>\n
Warszawa<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n
\n \n
\n <\/a>\n
\n
\n \"\"\n <\/div>\n
\n
\n

Delfinalia 2026<\/p>\n <\/div>\n

<\/div>\n
Gdynia<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n\n\n\n
\n
\n
\n
\n

Przeczytaj te\u017c:<\/strong><\/p>\n