{"id":29171,"date":"2024-08-16T12:31:00","date_gmt":"2024-08-16T11:31:00","guid":{"rendered":"https:\/\/www.ebilet.pl\/now\/?p=29171"},"modified":"2025-09-19T19:21:22","modified_gmt":"2025-09-19T18:21:22","slug":"10-piosenek-ktore-ratuja-zycie","status":"publish","type":"post","link":"https:\/\/www.ebilet.pl\/now\/10-piosenek-ktore-ratuja-zycie\/","title":{"rendered":"10 piosenek, kt\u00f3re ratuj\u0105 \u017cycie"},"content":{"rendered":"\n
\n
\n
\n
\n

Muzyka mo\u017ce pom\u00f3c ten smutek rozmasowa\u0107, zaleczy\u0107, pogodzi\u0107 si\u0119 z nim. Mo\u017ce by\u0107 towarzyszem w przepracowaniu traumy. Mo\u017ce u\u0142atwi\u0107 zrozumienie. Muzyka ma moc magiczn\u0105, bo koj\u0105c\u0105. Przedstawiam Wam list\u0119 swoich dziesi\u0119ciu “Always Look on the Bright Side of Life\u201d.<\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n

\n
\n \n
\n
\n \n \"Plakat\n <\/a>\n <\/div>\n \n
\n \n <\/span>\n

Kup bilet<\/p>\n <\/a>\n <\/div>\n <\/div> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n
\n
\n
\n

Dom<\/b><\/h2>\n

Lista jest u\u0142o\u017cona w kolejno\u015bci przypadkowej, zaczn\u0119 jednak od niekwestionowanego lidera: “This Must be the Place (Naive Melody)\u201d Talking Heads. To by\u0107 mo\u017ce najdziwniejsza piosenka w repertuarze Davida Byrne\u2019a i ziomk\u00f3w. Nienaturalna z perspektywy new wave\u2019owej energii zespo\u0142u, oparta na powtarzaj\u0105cej si\u0119 zmodulowanej partii klawiszy, kt\u00f3ra brzmi jak z ko\u0142ysanki dla dziecka. Zmiany w toku kompozycji s\u0105 tu ograniczone do minimum, tak, by numer brzmia\u0142 mo\u017cliwie najpro\u015bciej, naiwnie wr\u0119cz, co zreszt\u0105 sugeruje sam tytu\u0142. Jednocze\u015bnie jednak to najpi\u0119kniejsza piosenka o mi\u0142o\u015bci wszech czas\u00f3w. Nie ma tu dramatycznych zwrot\u00f3w akcji, nie ma typowego dla piosenek o wa\u017cnych uczuciach budowania nastroju. Mi\u0142o\u015b\u0107 jest w tej piosence naga, ale nie bezbronna. Jest si\u0142\u0105. Pewno\u015bci\u0105. A gdy Byrne \u015bpiewa tym swoim rozedrganym, za wysokim g\u0142osem <\/span>\u201e<\/span><\/i>Home is where I want to be<\/span><\/i> \/ <\/span><\/i>but I guess I’m already there<\/span><\/i> \/ <\/span><\/i>I come home, she lifted up her wings<\/span><\/i> I guess that this must be the place\u201d, <\/span><\/i>\u00a0dzie\u0142o si\u0119 dokonuje, oczy si\u0119 szkl\u0105, bo przecie\u017c DOM jest tym, czego wszyscy potrzebujemy, czego wszyscy szukamy. Nie dziwne, \u017ce gdy Paolo Sorrentino szuka\u0142 inspiracji do swego pierwszego mi\u0119dzynarodowego filmu o wycofanym i zrezygnowanym muzyku rockowym (w tej roli ucharakteryzowany na Roberta Smitha Sean Penn), kt\u00f3ry musi zmierzy\u0107 si\u0119 z trudn\u0105 rodzinn\u0105 przesz\u0142o\u015bci\u0105, to w\u0142a\u015bnie “This Must Be the Place\u201d wybra\u0142 na tytu\u0142 tego obrazu, a sama piosenka pojawia si\u0119 w nim parokrotnie (raz zreszt\u0105 w wykonaniu samego Byrne\u2019a).<\/span><\/p>\n

Znajdziesz na: Talking Heads “Speaking in Tongues\u201d (1983)<\/b><\/p>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

\n